To update Blackmagic Camera Fiber Converter you will need to ensure that the unit is powered from the camera using the URSA 12V power supply rather than SMPTE fiber during the update.įor updating Blackmagic Cameras from Camera 4.0 or above it is advisable to export your presets and LUTs onto a card as they will be removed during this update. Please ensure that your device is plugged into mains power before running the software update. If you want to use Media Express with the supported cameras, download and install the Blackmagic Desktop Video software. To use UltraScope via Thunderbolt with Blackmagic Cinema Camera or Production Camera 4K, download and install the Blackmagic UltraScope software. The software installer no longer installs the Desktop Video or UltraScope applications and they will need to be downloaded separately from the Blackmagic Design website: This software package allows you to update your Blackmagic Camera to the latest software release for new features, bug fixes and other enhancements. Here’s more from the Blackmagic Design Website: Added ability to type in customized frame guide ratios.Added support for pinch to zoom up to 8x magnification.Added support for built-in camera horizon tool.Added support for language localization.Added support for Blackmagic Pocket Battery Grip.Camera 6.6 update also adds support for the Blackmagic Pocket Camera Grip. Customers using the Blackmagic Pocket Cinema Camera 4K also get new recording options for Super 16mm and anamorphic formats in Blackmagic RAW. This update adds a new on-screen horizon tool, new anamorphic de-squeeze options, USB PTP control support, and custom frame guide ratios for all Blackmagic Pocket Cinema Camera models. The math gets numbing, but the result will be the possibility of many new exhibition/streaming formats that were never dreamt of in standards committees’ philosophies.Blackmagic Design announced today a new update Blackmagic Camera Setup 6.6. Use Ultra Panavison 70 lenses (1.25x) and the resulting ratio is 2.49:1 RED W8K MONSTRO VV and Panavision DXL2 have a 1.99:1 aspect ratio. With Scorpio FFA 2x, the desqueeze ratio is 3:1.Ĭanon’s C700 FF has a native aspect ratio of 1.896:1, which desqueezes to 2.46 with Hawk65. Hawk65 lenses will desqueeze on ALEXA LF and VENICE to 1.95:1, which is very close to Storaro’s beloved 2:1 Univisium and Netflix’s recommended widescreen ratio.With P+S Technik CS 1.5x, the desqueezed result is 2.25:1. The theory should be similar for ARRI ALEXA LF, RED W8K MONSTRO VV, Panavision DXL2 and Canon C700 FF. We used a Scorpio FFA prime and Sony VENICE. Hawk65 anamorphics are 1.3x squeeze. Ultra Panavision 70 lenses have a 1.25x squeeze ratio. Servicevision Scorpio 2x FFA lenses have full-height 24mm coverage and 2x squeeze. With the latest wave of Full Format cameras comes new interest in anamorphic Full Format lenses. Here’s a reprint from the current edition (April 2018) of FDTimes about desqueezing anamorphic images with DaVinci Resolve.
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